Chicago Palestine Film Festival 2012: Call for Films

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The Chicago Palestine Film Festival is issuing a call for films by Palestinian filmmakers and for films about Palestine for our eleventh annual 2012 festival.

The Film Festival committee accepts films and videos of all genres and of any duration. For films with non-English dialogue, English subtitles are required. Film selection criteria include artistry, technical skill, and content. We are especially interested in work by Palestinian filmmakers, but nationality is not a selection criteria.

Preview editions must be VHS or DVD in either PAL or NTSC encoding. These preview copies become property of the Festival committee and will not be returned. The filmmakers retain all rights to their submitted films.

The deadline for submissions for our 2012 festival is January 1, 2012. Submission does not guarantee exhibition of the film in the Chicago Palestine Film Festival. There is no submission fee for the Festival, but the Festival does not pay screening fees for submitted films.

Preview copies, along with a completed copy of the 2012 Film Submission Form, should be sent to this postal address:

Chicago Palestine Film Festival
637 S. Dearborn Ave.
3rd Floor
Chicago, IL 60605
U.S.A.

You must complete the 2012 Film Submission Form so that we have all of your contact information and information about your film if it is selected.

10th Annual Chicago Palestine Film Festival begins April 15

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The Chicago Palestine Film Festival committee happily announces the selections and schedule for the 10th annual Chicago Palestine Film Festival.  This year’s lineup includes various works from Palestinian, American, European and other filmmakers. The festival will take place from April 15 - 27 at the Gene Siskel Film Center. The opening night feature will be Zahara by acclaimed director Mohammad Bakri. The Chicago Palestine Film Festival will host a reception opening night prior to the film at the Gene Siskel Film Center beginning at 6:30 PM.

We are incredibly pleased to announce that Award-winning director Elia Suleiman (Divine Intervention, Chronicle Of A Disappearance) will be presenting his newest film, The Time That Remains, in person for the closing night event, Wednesday, April 27th at 7:45pm.

UPDATE 4/26/2011: Elia Suleiman will not be present for the screening of The Time That Remains.

The Time That Remains

Subtitled Chronicle of a Present Absentee, this humorous, heartbreaking film (the final installment in a trilogy that includes Chronicle of a Disappearance and Divine Intervention) is set among the Israeli Arab community and shot largely in homes and places in which Suleiman’s family once lived. Inspired by his father’s diaries, letters his mother sent to family members who had fled the Israeli occupation, and the director’s own recollections, the film spans from 1948 until the present, recounting the saga of Suleiman’s family in elegantly stylized episodes.

Saz: The Palestinian Rapper For Change

Saz: The Palestinian Rapper For Change covers a transformative year in the life of rapper Sameh Zakout, who transitions from the obscurity of working in a Ramleh auto repair shop to international fame and sold-out concerts in London.

Little Town Of Bethlehem

Three men scarred and shaped by the conflict, a Christian, a Muslim, and a Jew, dedicate their lives to building peace between Palestine and Israel, inspired by the philosophies of Martin Luther King, Jr. and Mahatma Gandhi.

Ghetto Town

The Shu'afat refugee camp lies on the edge of Jerusalem.  Carrying blue Jerusalem IDs, but now separated from the city by the wall and a checkpoint, residents of the camp find themselves caught between Jerusalem and the West Bank.  Deprived of civil services, the camp has become an over-crowded, no-man's land plagued by garbage, drugs, and violence.  Out of the daily struggle for survival and identity rises G-Town, a young rap group bringing voice to life in the camp and defining the Jerusalem style of Palestinian hip hop.

Bus

There are parallel universes in the city of Jerusalem. Aside from "Eged" - the national Israeli bus system, there is a Palestinian public bus service. It picks up people traveling from Eastern Jerusalem to other Arab neighborhoods and the borders of Palestine.

Lesh Sabreen

Set in a Palestinian neighborhood in Jerusalem, Lesh Sabreen? tells the story of two young lovers as they navigate dreams and dead-ends in their socially-conservative and Israeli-controlled community. The film illustrates the several layers of authority, from the patriarchal social norms and taboos, to economic pressures and the military occupation, continually facing young Arab Jerusalemites. Sabreen and Ayman dream of being together. But without true economic opportunities, Ayman will never be able to care for Sabreen in a way that her father would approve.

138 Pounds in My Pocket

In 1948, following the UN partition plan for Palestine, a war broke out between Arabs and Jews. In April 1948 a young teacher, Hind al-Husseini came across a large group of young children outside the Holy Sepulcher church in Jerusalem. They were survivors of a massacre in Deir Yassin, a village on the outskirts of Jerusalem. Hind al-Hussein established an orphanage in her Jerusalem home for these children. Today Dar al-Tifl al-Arabi is the largest Palestinian orphanage, and it includes a school and a college with more than 1500 pupils/students.

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